Director Gore Verbinski (Pirates of the Caribbean: The Curse of the Black Pearl, Rango) has teamed up once again with cinematographer Bojan Bazelli (Rock of Ages, Pete’s Dragon) for a new thriller titled A Cure for Wellness. The story follows a young business executive who is sent to retrieve his company’s CEO from a mysterious wellness center isolated in the Swiss Alps and comes to suspect that the center, although renowned for its miraculous (if not unconventional) treatments, is not all it’s made out to be. Leading the cast are actors Dane DeHaan (Lawless, Kill Your Darlings), Jason Issacs (The Patriot, Harry Potter and the Order of the Phoenix), Mia Goth (Nymphomaniac: Volume II, Everest), Ivo Nandi (Sons of Anarchy, Boardwalk Empire), Adrian Schiller (Bright Star, The Danish Girl), Celia Imrie (Nanny McPhee, The Best Exotic Marigold Hotel), and Harry Groener (Patch Adams, Road to Perdition). Continue reading →
Jerry Bruckheimer has famously spent the last decade working for Walt Disney Pictures. His breakthrough film with Disney, Pirates of the Caribbean: The Curse of the Black Pearl, was an instant classic when it was released in 2003, and brought Johnny Depp into a brand new era in his career after appearing in films like Blow and From Hell (both released in 2001), Chocolat (2000) and Sleepy Hollow (1999). Depp had yet to break into the family-friendly movie genre, but all that changed when he agreed to play pirate for director Gore Verbinski on Bruckheimer’s new project. Since then both Depp and Bruckheimer have experienced great success at Disney, but all that changed when they decided to push their limits and make a fourth Pirates of the Caribbean, and then thought it would be a good idea to take Depp’s pirate character and dress him up as Tonto for a remake of The Lone Ranger, which completely bombed at the box office this summer. Since the failure that was The Lone Ranger, Depp has agreed to make a fifth Pirates movie, but Bruckheimer’s employment with the production company has taken a turn for the worse, and the producer will no longer be taking on any future projects with Walt Disney Pictures.
This is not necessarily bad news for the producer, however, as Paramount Pictures has decided to draft a new contract with their old production partner, beginning with sequels to some of Bruckheimer’s most early successes: Top Gun (1986) and Beverly Hills Cop (1984). As of now, Eddie Murphy will be brought back to his original character in what may be a reboot of the series and which will be directed by Brett Ratner, but there are no official reports concerning the plot line. Top Gun is also on its way to a sequel with Tom Cruise, but a director for this film is yet to be determined, especially since original director Tony Scott committed suicide last year. While this is good news for Bruckheimer, fans of these Hollywood gems may be less enthused about further installments, especially with a thirty year gap for both and one of which already has several sequels. I guess I shouldn’t be so surprised to hear this. Bruckheimer could try surprising us with some fresh material instead of following the rest of Hollywood in their movie revival scheme, but if his main focus is keeping his job he may have to stay on the bandwagon for now. We’ll keep you posted.
Jerry Bruckheimer and Gore Verbinski must have been in high hopes for their next big Depp-release since Pirates of the Caribbean ten years ago. But unlike the fresh subject matter and imaginative characters that Pirates delivered, The Lone Ranger is recycled material that’s been around since the 50s, and more deserving of a serious action/drama rather than a Disney-for-kids western. Johnny Depp’s Tonto has taken a lot of heat from audiences, and in some aspects, rightfully so. It seems his recent roles, including Tonto and Barnabas Collins in Dark Shadows (2012), have all slightly shadowed the lively and eccentric Captain Sparrow that audiences couldn’t get enough of a decade ago. The Lone Ranger pulled in an upsetting $50 million in its first five days of release, falling behind Despicable Me 2, which made an impressive $142 million. Talks of the seventh Star Wars movie will most likely become Disney’s primary focus now. Let’s hope they maintain some quality to the original films and don’t just make a rushed project in hopes for a box office haul.