Tag Archives: orson

Steven Spielberg’s ‘Ready Player One’ Is A 1980s Cinematic Nostalgia Trip

WARNING – SPOILERS!!! Pac Man, Back to the Future, and Blade Runner are only a few titles that make up the 1980s cinematic nostalgia trip in Steven Spielberg’s Ready Player One, now playing in theaters. Based on the novel by Ernest Cline, Ready Player One follows a young man named Wade Watts who lives in a dystopian United States in 2045. Humanity, as Wade knows it, is plagued by a failing economic system, an ominous corporate-governing body, and a tainted outdoor environment, all the result of an energy crisis caused by global warming, corporate greed, and the depletion of Earth’s fossil fuels. Since the real-world is no longer a pleasant place to spend your time, Wade, like most people, spends his days in the OASIS, an interactive virtual reality comprised of games and puzzles from every video game, movie, book, or television show made primarily between 1980 and 1990, although there are a few exceptions. The OASIS is the mind-child of James Halliday (obviously Cline’s own doppelganger) who, prior to his death, left a hidden Easter Egg inside the OASIS that, if found, provides the winner with his massive fortune and control of the corporation running the OASIS, and that’s where Wade’s (or Parzival as he is named in the OASIS) story begins. Continue reading

Today In Movie History…

murch

Today in movie history, revered editor and sound engineer Walter Murch was born in New York City in 1943. Murch first gained momentum in the film industry working with Oscar-winner Francis Ford Coppola on his film The Rain People (1969) before going on to work with George Lucas on THX1138 (1971) and American Graffiti (1973). He then furthered his professional relationship with Coppola working on films like The Godfather Part II (1974) and The Conversation (1974), the latter which earned him his first Academy Award nomination. His first major contribution to film came on Coppola’s iconic Vietnam drama, Apocalypse Now (1979), for which he won his first Oscar. Murch used a multi-track recording system to create new sounds that invoked both physical tension and psychological drama against the back-drop of Coppola’s war epic. Murch went on to serve as both sound and picture editor for numerous films, winning double Oscars for The English Patient in 1996 for Best Editor and Best Sound Editor. His work with Coppola continued throughout his career, working on films like The Godfather Part III (1990) and Tetro (2009); he also received a double Oscar-nomination in 1990 for The Godfather Part III and Ghost with Patrick Swayze, Demi Moore, and Whoopi Goldberg. Continue reading