Of all of the old television series that are being rebooted these days (Fuller House, Will & Grace, 24, Roxanne), The X-Files is arguably the only one worth reviving. That’s mostly because even after nine seasons and two feature-length films, the fates of FBI agents Mulder and Scully has never been fully resolved. The poorly received feature film that followed the television series finale, I Want To Believe (2008), did little to appease fans of the series, and even less in terms of providing a definitive conclusion. Then in 2016, creator Chris Carter and the original cast and crew reunited for a 6-episode mini-series that found the agents probing new leads into the fate of their son, William, and former members of the Syndicate. The new series, however, ended with an even bigger cliff-hanger than the original, leaving fans still guessing as to what could possibly happen next. Now we may finally get the answers we’ve been waiting for. The newest season of the series, Season 11, aires tonight on Fox, and picks up exactly where the last episode of Season 10 left off. Obviously there’s a lot to get caught up on if you’ve never watched the series, but if you’re into UFOs or government conspiracies, you should definitely check it out!
The Last Jedi may be doing well at the box office, but it’s not doing much to impress fans and critics. One holiday release that’s been impressing everyone, however, is director Ridley Scott’s adaptation of author John Pearson’s All the Money in the World. The film follows the 1973 kidnapping of Jean Paul Getty III, aka Paul Getty, the grandson of oil tycoon Jean Paul Getty. The latter famously refused to pay his grandson’s ransom, despite his vast fortune in the oil industry, leaving the former’s mother, Gail Harris, in the position of having to convince her billionaire in-law to put family ahead of wealth. All the Money in the World has already received three Golden Globe nominations, including one for Best Supporting Actor, Christopher Plummer. Although his nomination is certainly deserving, it almost didn’t happen. Continue reading →
Location: xxxxxxxxxxxxx, Minneapolis When: Friday, April 14th @ 9PM
This weekend, WhyWorld will host yet another solid set of dope music. This time around, Sloslylove, Vundabar, Wealthy Relative, and Astral Samara will take the stage, there will also be visual art from Andrew Swenson. If you’re lucky enough to receive the address make sure to come with positivity and nothing but respect for the house. A $5-$10 donation is highly encouraged, BYOB, BYOW.
There were a lot of raise-your-eyebrow commercials at this year’s Super Bowl, and sadly they were much more memorable than any of the traditional, so-called “hilarious” Super Bowl entries. The most controversial entries was the lengthy 84 Lumber commercial where mother and daughter encounter a giant concrete wall on the US border, and the American Petroleum Institutes praise-spot for Big Oil. In addition to the barrage of propagandized TV spots and beer commercials were a number of upcoming blockbuster movie trailers. Among them were those for The Fate of the Furious, Baywatch, Pirates of the Caribbean: Dead Men Tell No Tales, Guardians of the Galaxy Volume 2, John Wick: Chapter 2, and Transformers: The Last Knight. The most impressive movie trailer, however, came from up-and-coming director Daniel Espinosa‘s Life with Jake Gyllenhaal (Prisoners, Nightcrawler), Rebecca Ferguson (Mission Impossible: Rogue Nation, The Girl on the Train), and Ryan Reynolds (Waiting, Safe House). Continue reading →
Director Sydney Lumet‘s 1973 undercover police drama Serpico earned Al Pacino his second Oscar nomination for Best Actor. While it was another in a long-running streak of Oscar nominations for Pacino that resulted in no wins until 1992’s Scent of a Woman, Serpico‘s other Oscar nomination was for Best Adapted Screenplay for screenwriters Waldo Salt (Midnight Cowboy, The Day of the Locust) and Norman Wexler (Saturday Night Fever, Staying Alive). Although Serpico proved to be the last Oscar-worthy project of Wexler’s, Waldo Salt had a much longer, and much darker story in Hollywood screenwriting history.
Waldo Salt was born on October 18, 1914 and grew up in Chicago an accomplished academic. He was so accomplished, in fact, that he graduated from Stanford University at the same time his friends were graduating from high school. Shortly thereafter, Salt was in Hollywood working as a screenwriter for MGM. There he worked on and assisted with various writing projects, but his first solo writing adaptation was with a 1937 film called The Bride Wore Red. The next year, Salt joined the American Communist Party, putting himself on the radar for the House Un-American Activities Committee during the Red Scare/McCarthy era 12 years later. Continue reading →
This holiday season will see another Star Wars film dominating the release schedule. Unlike last year’s Star Wars: Episode 7 – The Force Awakens, whose fan anticipation was the highest since Episode 1 – The Phantom Menace in 1999, Rogue One has already been plagued by script rewrites and unscheduled reshoots. This was in part owing to the lack of direct relevance to any of the original series characters, but also to fan polls that suggested disappointment with earlier plot lines. Nevertheless, production has pushed on and the second trailer for the new film Rogue One: A Star Wars Story was just released this week. Rogue One is based on a story by John Knoll (Star Wars: Episode 6 – Return of the Jedi, Avatar) and Gary Whitta (The Book of Eli, After Earth), which was adapted to a script by Chris Weitz (About a Boy, The Golden Compass) and Tony Gilroy (The Bourne Ultimatum, House of Cards) about the Rebel Alliance’s plan to steal the plans to the Death Star, laying the grounds for the epic trilogy that follows with Star Wars: Episode 4 – A New Hope (1977). Director Gareth Edwards (In the Shadow of the Moon, Godzilla) helmed the project with actors Felicity Jones (The Theory of Everything, The Amazing Spider-Man), Mads Mikkelsen (The Hunt, Casino Royale), Riz Ahmed (Nightcrawler, Jason Bourne), Ben Mendelsohn (The Dark Knight Rises, The Place Beyond the Pines), Alan Tudyk (I Robot, Dodgeball), and Forest Whitaker (The Last King of Scotland, Lee Daniel’s The Butler). Oscar nominee James Earl Jones (Field of Dreams, The Lion King) is also returning to provide the voice of Darth Vader, whose presence in the film will likely hold the biggest intrigue for fans of the series. Check out the new trailer right here on MADE, and enjoy the weekend!
On September 20, 1956, director William Wyler‘s Friendly Persuasion was released in theaters in the United States. Based on the book by Jessamyn West, the story revolves around a Quaker family in 1862, whose faith and belief in non-violence is tested when Confederate troops come sweeping through their land and the family must decide whether to fight or to remain complacent. The film was written by screenwriter Michael Wilson (A Place in the Sun, Planet of the Apes), and received an Academy Award nomination for Best Screenwriting. It wasn’t until 2002, however, that Wilson would receive legitimate recognition for his work on the film. Continue reading →
A new drama from writer/director Gary Ross (Seabiscuit, The Hunger Games) titled Free State of Jones is now playing in theaters. The film follows the true story of Newton Knight, a farmer in Civil-War era Mississippi who abandoned the Confederate Army and formed a militia consisting of both white farmers and African-Americans who took over and declared Jones County an independent state. Ross adapted the screenplay from author Victoria Bynum’s The Free State of Jones: Mississippi’s Longest Civil War, although there are numerous publications of Knight’s stance in Jones County. Appearing as Newton Knight is Oscar-winner Matthew McConaughey (Interstellar, Dallas Buyer’s Club), who is joined onscreen by Gugu Mbatha-Raw (Concussion, Jupiter Ascending), Mahershala Ali (House of Cards, The Place Beyond the Pines), Keri Russell (The Americans, Dawn of the Planet of the Apes), Christopher Berry (Django Unchained, 12 Years a Slave), and Jacob Lofland (Mud, The Scorch Trials). This is definitely a lesser-known portion of American history, but one that is definitely intriguing, although I will say that the trailer reads a bit like The Patriot. If you’re looking for an evening out this week, keep this one on your list. The trailer is available here on MADE.
The final trailer has arrived for director Bryan Singer‘s upcoming X-Men feature, Apocalypse. If you haven’t been following, the last X-Men movie was Days of Future Past, which found Wolverine going back in time to alter the timeline of the X-Men movies to prevent the end of the world. This new timeline picks up in what I’m guessing would be at least the the late 1980s, and finds Mystique responsible for training the new generation of X-Men to fight Apocalypse, the world’s first and most powerful mutant, who happens to be immortal. Apocalypse awakes after thousands of years and begins amassing power; having seen what humanity has become, he recruits a team of powerful mutants (including Magneto) to cleanse mankind and create a new world order. Screenwriter Simon Kinberg (Sherlock Holmes, Fantastic Four) wrote the script from a story written by himself and director Bryan Singer (X2: X-Men United, X-Men: Days of Future Past), as well as writers Michael Dougherty and Dan Harris (Superman Returns, Krampus). Continue reading →