Director Randal Kleiser’s big-screen adaptation of the Broadway hit Grease is celebrating its 40th anniversary this April. To celebrate the occasion, TCM Big Screen Classics Presents and Fathom Events are hosting special screenings of the Oscar-nominated film in theaters across the country. Although Jim Jacob’s and Warren Casey’s original Broadway production received seven Tony Award nominations, including Best Musical, Best Choreography (Birch), Best Actor (Barry Bostwick), and Best Costume Design, it was Kleiser’s film adaptation that would go down in history as an American pop-culture icon, with John Travolta (Pulp Fiction, Face/Off) and Olivia Newton-John (Xanadu, Two of a Kind) in the roles of greaser Danny Zuko and good-girl Sandy Olsson. The film received several Golden Globe nominations, including Best Picture (Musical/Comedy), Best Actor (Travolta), Best Actress (Newton-John), and Best Original Song for Frankie Valli’s “Grease” and John Farrar’s “You’re The One That I Want,” neither of which is featured in the original musical. John Farrar’s “Hopelessly Devoted To You” also earned the film an Oscar-nomination for Best Original Song. For the anniversary event, special screenings will be played at select theaters on April 8th, April 11th, and April 14th. To find showings near you, visit Fathom Events at the link below and enter your Zip Code on your preferred date, and enjoy the show!
It’s awards season; that time of year when the Super Bowl is the one thing strong enough to interrupt Hollywood’s narcissistic red-carpet events and fancy afterparties. The Golden Globes aired just a few weeks ago, with much of the attention focused on the #MeToo Movement that swept the film industry after Harvey Weinstein and dozens of others were accused of sexual harassment, and even rape by an astonishing number of women working in Hollywood. Last nights Screen Actors Guild Awards, however, saw a more typical type of awards show than what we saw at the Golden Globes. Continue reading →
Reports are now confirmed that actor Bill Paxton passed away this Oscar-weekend at the age of 61 due to complications from surgery. Paxton began his career in Hollywood doing art department and background work before he was cast in a small cameo in The Terminator by director James Cameron in 1984. Since then, Paxton has gone on to star in many roles in an impressive number of iconic films. He again teamed up with Cameron for Aliens as Private Hudson in 1986, and has starred in blockbusters like Tombstone (1993), True Lies (1994), Apollo 13 (1995), Twister (1996), Titanic (1997), U-571 (2000), Vertical Limit (2000), Edge of Tomorrow (2014), and Nightcrawler (2014). His most recent project was the lead in a television adaptation of director Antione Fuqua’s 2001 cop-drama Training Day.
In addition to acting, Paxton also directed a number of pictures. He directed himself and co-stars Matthew McConaughey and Powers Boothe in the violent FBI drama Frailty (2001), and Shia LaBeouf in The Greatest Game Ever Played (2005). His final role will be in a film called The Circle, opposite Emma Watson (Harry Potter and the Deathly Hallows, Beauty and the Beast), Karen Gillan (Guardians of the Galaxy, The Big Short), and Tom Hanks (Forrest Gump, Bridge of Spies). His contribution to film throughout the years will surely be missed in the years to come. Thanks Bill for all of your great work. Our thoughts are with your family and friends. Continue reading →
On December 1, 1983, director Brian de Palma (The Untouchables, Carlito’s Way) released his modernized version of Ben Hecht and Howard Hawks’ 1930s gangster drama, Scarface. While the original followed a charismatic Chicago mobster in the Prohibition era, de Palma’s version took the character to violent world of the 1980s drug trade in Miami, Florida. Fueled by Al Pacino‘s riveting performance and backed by an outstanding supporting cast that included Michelle Pfeiffer (What Lies Beneath, Batman Returns), Steven Bauer (Raising Cain, Primal Fear), Mary Elizabeth Mastrantonio (The Abyss, The Perfect Storm) and Robert Loggia (Big, Independence Day), Scarface ushered in a new era of gangster movies far darker than Francis Coppola’s The Godfather series just a decade before. One of the primary reasons is because of de Palma’s direction. Continue reading →
Director Sydney Lumet‘s 1973 undercover police drama Serpico earned Al Pacino his second Oscar nomination for Best Actor. While it was another in a long-running streak of Oscar nominations for Pacino that resulted in no wins until 1992’s Scent of a Woman, Serpico‘s other Oscar nomination was for Best Adapted Screenplay for screenwriters Waldo Salt (Midnight Cowboy, The Day of the Locust) and Norman Wexler (Saturday Night Fever, Staying Alive). Although Serpico proved to be the last Oscar-worthy project of Wexler’s, Waldo Salt had a much longer, and much darker story in Hollywood screenwriting history.
Waldo Salt was born on October 18, 1914 and grew up in Chicago an accomplished academic. He was so accomplished, in fact, that he graduated from Stanford University at the same time his friends were graduating from high school. Shortly thereafter, Salt was in Hollywood working as a screenwriter for MGM. There he worked on and assisted with various writing projects, but his first solo writing adaptation was with a 1937 film called The Bride Wore Red. The next year, Salt joined the American Communist Party, putting himself on the radar for the House Un-American Activities Committee during the Red Scare/McCarthy era 12 years later. Continue reading →
On September 30, 1948, actor Robert Mitchum (Story of G.I. Joe, Cape Fear) was released from prison following his charge of marijuana possession. Mitchum was an up-and-coming star in Hollywood. He had received an Academy Award nomination for Best Supporting Actor two years earlier for his role in Story of G.I. Joe, and appeared in four feature films in 1947, including Pursued, Crossfire, Desire Me, and Out of the Past. He also worked with director Robert Wise (The Day the Earth Stood Still, West Side Story) in a western film earlier in 1948 called Blood on the Moon. His recent string of success, however, only made his bust on September 1st that much worse.
Mitchum was found with actress Lila Leeds (Lady in the Lake, Wild Weed) and dancer Vicki Evans. With the 60s still more than a decade out, and public opinion towards marijuana still very much in the light of propaganda films like Reefer Madness (1936), the young actor feared the very public arrest would effectively end his acting career. It didn’t help that industry names like Howard Hughes (Scarface, The Outlaw), David O. Selznick (King Kong, Gone with the Wind), and the press constantly berated him during this period. But his famous bust that could have completely ended his career ended up doing just the opposite. Continue reading →
On September 20, 1956, director William Wyler‘s Friendly Persuasion was released in theaters in the United States. Based on the book by Jessamyn West, the story revolves around a Quaker family in 1862, whose faith and belief in non-violence is tested when Confederate troops come sweeping through their land and the family must decide whether to fight or to remain complacent. The film was written by screenwriter Michael Wilson (A Place in the Sun, Planet of the Apes), and received an Academy Award nomination for Best Screenwriting. It wasn’t until 2002, however, that Wilson would receive legitimate recognition for his work on the film. Continue reading →
Legendary comedic actor Gene Wilder, best known for his roles in films like Young Frankenstein, The Producers, Blazing Saddles, and Willy Wonka and the Chocolate Factory, passed away Monday after a struggle with Alzheimer’s Disease. The actor was twice nominated for an Academy Award, one for his role in The Producers and the other as co-writer with Mel Brooks for Young Frankenstein. Wilder first gained attention in a production of Off Broadway’s Roots in 1961. He then continued working in television and on Broadway for a number of years, where he first caught the eye of filmmaker Mel Brooks. The actor starred in a production of Bonnie and Clyde in 1967 before teaming up with Brooks for his breakout role in The Producers, which earned him his first nomination for Best Supporting Actor. Continue reading →
Today in movie history, revered editor and sound engineer Walter Murch was born in New York City in 1943. Murch first gained momentum in the film industry working with Oscar-winner Francis Ford Coppola on his film The Rain People (1969) before going on to work with George Lucas on THX1138 (1971) and American Graffiti (1973). He then furthered his professional relationship with Coppola working on films like The Godfather Part II (1974) and The Conversation (1974), the latter which earned him his first Academy Award nomination. His first major contribution to film came on Coppola’s iconic Vietnam drama, Apocalypse Now (1979), for which he won his first Oscar. Murch used a multi-track recording system to create new sounds that invoked both physical tension and psychological drama against the back-drop of Coppola’s war epic. Murch went on to serve as both sound and picture editor for numerous films, winning double Oscars for The English Patient in 1996 for Best Editor and Best Sound Editor. His work with Coppola continued throughout his career, working on films like The Godfather Part III (1990) and Tetro (2009); he also received a double Oscar-nomination in 1990 for The Godfather Part III and Ghost with Patrick Swayze, Demi Moore, and Whoopi Goldberg. Continue reading →
Taking a moment to appreciate the artistry behind acting, I’d like to highlight some of the most memorable, if not noteworthy monologues ever seen on the big screen. Traditionally, a monologue is a long speech delivered by an actor of the stage or screen, during which either a climactic realization is reached or a larger audience is being addressed. I’ll begin with what I consider to be one of the greatest (if not the greatest) films ever made, Francis Ford Coppola‘s The Godfather Part II. The Godfather Part II is known as the most successful movie sequel of all time, earning a total of 11 Academy Award nominations and winning 6. Among the nominees was method-actor Lee Strasberg, who co-founded the Group Theatre in 1931 and became director of the Actors Studio in 1950. Strasberg influenced a new generation of stage actors, including up-and-coming Broadway actor Al Pacino. When Pacino broke into film with The Godfather and was brought back for Part II, he asked Coppola to cast his mentor Strasberg in the supporting cast. Strasberg took the role of mob-boss Hyman Roth, and earned one of the film’s Oscar nominations for Best Supporting Actor. Continue reading →