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Does ‘The Post’ Seek To Glorify The Press In The Era of Fake News?

Steven Spielberg’s latest drama, The Post, may be a celebration of the free press, but in the age of “fake news” it feels more like an attempt to glorify the press rather than focus on its habit of misrepresentation. The Post tells the story of the The Washington Post and its publishing of the Pentagon Papers in 1971. The Pentagon Papers (as they came to be called) was a series of documents detailing the extent of the US involvement in the Vietnam War. Upon learning of the atrocities of the war, military analyst Daniel Ellsberg secretly copied and leaked the documents to the press in the hopes that the public would be made aware of the truth.

Kay Graham (portrayed by Meryl Streep in Spielberg’s film) was the acting publisher of The Washington Post at the time. She inherited the role of sole proprietor following her husband’s untimely death by suicide. Graham not only faced a board of all-male stock holders who were ready to oust her at any moment, but also a more hostile-than-friendly editor named Ben Bradlee (portrayed by Tom Hanks), who reportedly informed her that he’d give his left nut to run the Post, himself. Shortly after Graham came into her new position, Martin Weil (Better Call Saul‘s Bob Odenkirk) was sent to meet with Ellsberg to collect the top secret documents in Boston and transport them safely back to Washington. Continue reading