Sports films tend to be excellent mediums for demonstrating the perseverance of the human spirit. They are also an excellent platform for promoting social acceptance and awareness. Think of films like Remember the Titans (overcoming racial barriers), Miracle (the underdogs band together to beat overwhelming odds), and A League of Their Own (women show they can play the game too). Well this week movie-goers will, again, have the chance to see two new sports dramas that focus on the resilience and determination of dedicated athletes.
First up is a film called Stronger from director David Gordon Greene. The film is based on the life (and memoir) of Jeff Bauman, the runner who tragically lost his legs in the Boston Marathon bombing in 2013. Following the incident, Bauman underwent intense physical therapy in an effort to learn how to walk and run again with the help of state-of-the-art prosthetics. He famously threw the opening pitch at the Boston Red Sox alongside Carlos Arredondo a few days following his surgery (Arredondo is pictured below in the cowboy hat, helping medics get Bauman away from the site of the infamous bombing). Screenwriter John Pollono adapted the script from Bauman’s memoir.
A new biographical film titled Rebel in the Rye is seeing a limited release in theaters this weekend. The film follows the life of famed author J.D. Salinger as he achieves worldwide fame for his novel The Catcher in the Rye. Writer/director Danny Strong (The Hunger Games: Mockingjay – Part 2, Empire) penned the film from the book “J.D. Salinger: A Life” by Kenneth Slawenski. Salinger was born in New York, and attended several universities before he was drafted into the army to serve in World War II. He participated in both the D-Day Invasion at Normandy and the Battle of the Bulge. During this period he continued to write, developing the story for what would become The Catcher in the Rye. Continue reading →
Hurricane Harvey. Hurricane Irma. Stephen King’s It. As if the brute force of nature isn’t enough to unite Americans in these tumultuous political times, Stephen King’s It might just have done the trick. King, an ardent opposer to Donald Trump, has been in a Twitter-war with the President ever since his infamous 2016 presidential campaign and subsequent election. To quote the author’s own Twitter account, “Trump is no leader. He has 2 default positions: “Not my fault” (it’s China’s) or “not my job” (DACA). What a bitter joke he is!” The feud has gone so far as to cause Trump to block King on Twitter. It also prompted Trump supporters to call for a boycott of director Andy Muschietti’s new adaptation of King’s 1000+ page horror novel, It, about a demon that terrorizes children in a small town in Maine by taking the form of a fiendish clown. The call was made via Reddit, so one might think there was a pretty good chance of a successful boycott. There wasn’t. Continue reading →
One of our favorite film festivals here at MADE, the Toronto International Film Festival (TIFF), is kicking off its 2017 festivities this week. Known for its wide range of genres, independent films, and documentaries, TIFF is the unofficial audition for the annual film-awards season that wraps with the Academy Awards celebrations every February. This years entries are no exception. Some of the more anticipated showings are documentaries surrounding Grace Jones (Grace Jones: Bloodlight and Bami), Barack Obama (The Final Year), and Lady Gaga (Gaga: Five Foot Two), as well as an under-the-radar entry from comedian Louis CK (I Love You, Daddy) that will appear in black and white. As always there is a plethora of noteworthy entries, so many, in fact, that it seems impossible to filter out a ‘most anticipated’ list.
Location: 835 E Hennepin Avenue, Minneapolis When: Sunday, August 27th @ 4PM
With PROF preparing for his biggest/name sake show of the summer, he took to Twitter to announce that his upcoming video shoot will be open to the public. The Stophouse crew will take over Familia Headquarters for what’s bound to be a good time. Mark your calendars and make sure to tell all your friends.
The 70th Cannes Film Festival wrapped up this year with several big surprises. The Killing of a Sacred Deer and You Were Never Really Here both tied for the best screenplay award. Sofia Coppola became the first female director to win the Best Director award at Cannes in 56 years for The Beguiled, an adaptation of Thomas Cullinan’s Civil War novel about a wounded soldier who takes refuge among the inhabitants of a girls’ school in Virginia. Joaquin Phoenix and Diane Kruger were awarded best actor awards for their respective roles in You Were Never Really Here and In The Fade, the latter of which featured Kruger speaking in her native German. Additionally, Nicole Kidman received a special award for her appearances in four of this year’s festival entries, including The Beguiled, The Killing of a Sacred Deer, How to Talk to Girls at Parties, and Top of the Lake. Other noteworthy entries include BPM (Beats Per Minute), a drama focused around the French gay-rights movement in the early 90s that earned this year’s Grand Prix, and Ruben Östlund’s The Square, about a high-class museum curator who is forced to mingle with lower class members when he is pick-pocketed on the street. A full list of this year’s winners is provided below…. Continue reading →
Earlier this week, Sir Roger Moore, the third actor to portray Ian Fleming’s British Secret Service Agent, James Bond, passed away at the age of 89. Moore died after a brief battle with cancer at his home in Switzerland, according to his family members. The actor first achieved fame with lead television roles in series like Maverick and The Saint in the 1950s and 60s. His first outing as James Bond came with 1973’s Live and Let Die, the second Bond novel by author Ian Fleming. Moore’s appointment to the role came after Sean Connery returned for one additional film (Diamonds Are Forever) following actor George Lazenby’s dismissal from the the part. He would then go on to star as Bond in an additional six films throughout the remainder of the 1970s and up until 1985’s A View To A Kill. Continue reading →
Author Stephen King is making a big cinematic comeback in 2017. A new adaptation of his 1986 horror-classic It is opening in theaters this September, and is expected to be a two-part installation with the second film following soon after. Before It hits theaters, however, another Stephen King adaptation will see a nationwide release in the form of The Dark Tower. Based on the final novel in his eight-part series, The Dark Tower, the film follows a man named Roland Deschain, the Last Gunslinger, who faces off with the Man in Black, Walter O’Dim, in an effort to stop him from destroying the Dark Tower, a mystical building that serves as the center of all universes. In writing the series, King drew inspiration from several sources, including the Arthurian Legend, J.R.R. Tolkien’s The Lord of the Rings, and the American West. Continue reading →
Fans of director Ridley Scott‘s original sci-fi thriller Alien (1979) were less than disappointed by his 2012 prequel Prometheus. Not only did it lack suspense, but it seemed that most movie-goers failed to even realize that the film was related to the famous flick. But today Scott is making amends to appease fans of the series. Alien: Covenant not only brings back the series title, but reviews say movie-goers can expect a truly horrifying thriller that lives up to the original. Taking place 20 years before Alien, the film follows the crew of the colony ship Covenant as they embark on a mission to a supposedly uncharted planet. There they encounter David, the android survivor of the Prometheus expedition, who unleashes a terrifying threat upon the crew and forces them to attempt a daring escape from otherwise certain doom. Michael Fassbender (Inglorious Basterds, 12 Years A Slave) reprises his role as David (now called Walter), along with an all-new cast that includes Katherine Waterston (Inherent Vice, Steve Jobs) and Billy Crudup (Almost Famous, Big Fish). This is definitely one to see on the big screen, so if you’re planning on a movie this weekend, I’d keep this one in mind!
Today kicks off the 70th anniversary of the Cannes Film Festival in France. A number of anticipated entries are included in this year’s competition. Sofia Coppola’s The Beguiled with Colin Farrell, Elle Fanning, Nicole Kidman, and Kirsten Dunst is her first indie film since 2013’s The Bling Ring. Andrey Zvyagintsev’s new drama Loveless has high expectations after the director’s last film, Leviathan, earned he and his co-writer Oleg Negin the Best Screenplay award in 2014. Director Hong Sang-soo has two films premiering at this year’s festival, The Day After and Clair’s Camera, but both have been kept well under the radar until their upcoming debut.
Director Lynne Ramsay is also looking to impress with her latest project You Were Never Really Here, a drama about a veteran who attempts to help a young girl involved in a sex trafficking ring. Other anticipated projects being tossed around the web are Yorgos Lanthimos’s The Killing of a Sacred Deer and Michael Haneke’s Happy End. The festival will open tonight with director Arnaud Desplechin’s Les fantômes d’Ismaël (Ismael’s Ghosts). Another big event at this year’s festival will be a Virtual Reality (VR) film called Carne Y Arena from acclaimed writer/director Alejandro González Iñárritu (Birdman, The Revenant). The film runs a full hour and twenty minutes and is the first Virtual Reality film to ever appear at Cannes. The festival will run from the 17th to the 28th in Cannes, France. You can see a full list of this year’s entries below. Continue reading →