Monthly Archives: February 2018

Will Disney’s Bid For Fox Properties Mean Another Monopoly For The Cable Industry?

disney fox merger

Walt Disney Pictures has come a long way from making full-length animated features like Snow White and the Seven Dwarfs, Cinderella, and Peter Pan. In the 21st century, the company has reinvented itself with live-action blockbusters like Pirates of the Caribbean, state-of-the-art computer animated films like Cars and Frozen, and adaptations of children’s literary classics like Roald Dahl’s The BFG and Madeleine L’Engle’s A Wrinkle in Time (out in theaters this March). In recent years, Disney has expanded into more lucrative markets like comic book blockbusters (ie. Marvel comics) and, of course, the Star Wars franchise. The latest Star Wars entry, The Last Jedi, hit the $1 billion mark in worldwide box office sales barely three weeks after its US theatrical release. With a plethora of material to work with, and plenty of money coming in, one would think Disney is far passed its tipping point, but that might not be the case at all. Continue reading

Vinyl Is Finally Taking Back The Music Industry As CD Sales Plummet

vinyl

I’ve been saying it for years: vinyl is the way to go and Millennials are finally catching on! Best Buy announced this week that its stores will stop selling CDs (compact discs) altogether this July 1. Meanwhile vinyl sales have been steadily rising over the last few years, becoming, once again, a high-demand item for music retailers who have been struggling to compete with digital streaming services and music downloaded from the Internet. According to The Guardian, vinyl sales saw a 53% increase between 2015 and 2016, the highest sales numbers for vinyl since 1991. Although vinyls have always been kept around by independent retailers like Half Price Books and local stores like Cheapo Records and Electric Fetus here in Minneapolis, retailers like Best Buy and Target have caught up with the trend. As some begin to drop CD sales, none seem to have any plans to stop selling vinyl. Continue reading

Annual Spoken-Word Poetry Competition, Louder Than A Bomb, Gives A Voice To Young Poets

In 2001, shortly after the World Trade Center attacks on September 11th, two Chicago-based educators, Kevin Coval and Anna West, decided to create an outlet for young high school students to express themselves through spoken-word poetry. Nearly 20 years later, Louder Than A Bomb has grown from a small number of local high school teams to a full-scale competition made up of 120 teams from high schools all over Chicago and the surrounding suburbs. The success of the program has inspired educators to form spoken-word poetry competitions in 13 cities across the country, and even in Canada. Today, Louder Than A Bomb (LTAB) prides itself on being the largest youth poetry festival in the world. The success of the program, as well as the students and educators involved with organizing it every year, was the subject of a 2011 documentary, Louder Than A Bomb, by filmmakers Greg Jacobs and Jon Siskel.

Jacobs and Siskel followed four individuals competing in the 2011 competition to paint a portrait of youth outlook on world events, social climate, politics, and their own personal stories. The film not only received praise at the Chicago International Film Festival, but also at film festivals all over the country, including Milwaukee, Cleveland, St. Louis, Philadelphia, and Portland. Prelims for the upcoming 2018 festival are being held at Columbia College starting on February 21st-22nd. You can check eligibility rules and sign your team up on the Young Chicago Authors website. Louder Than A Bomb is available on Amazon Prime, and if you have an account I would definitely add it to your Watchlist.

Has The Academy of Motion Picture Arts and Sciences Changed In The Years Since #OscarsSoWhite

2018 oscars

The nominations for the 90th Annual Academy Awards were released last week and met with mixed reactions. Some were ecstatic, others were disappointed, but how many were surprised? The Academy has been attempting to present itself in a new light in the years since a slew of all-white nominees was presented in the Best Actor category at the 2015 ceremony. Despite the #OscarsSoWhite movement that followed, the same thing happened the next year, sending organizers into a furor that found them completely revamping the membership list in the hopes of getting more diversified nominations. Although the 89th ceremony saw some changes in terms of the voting body, it seemed more like a desperate attempt to show change rather than a legitimate attempt to actually change. Now, in the age of #MeToo, this year’s nominees also fell shy of expectations. Continue reading